This volume of criticism presents a variety of new essays on Aldous Huxley’s Brave New World, a classic in the science fiction and dystopian genres. These essays delve into the cultural, historical, comparative and critical contexts for understanding Brave New World. For readers who are studying it for the first time, several essays survey the critical conversation regarding this work from all standard critical perspectives – social, gender, post-modern, psychological, and cultural as well as the more traditional historical and close readings.